This book contains a collection of original essays by a group of Professor Gombrich's pupils. Masters now themselves and spread throughout the world, Gombrich's pupils have continued their independent researches and have achieved distinction in many fields. Not forming a 'school' in any narrow sense, they reflect the influence of their master rather in their range of interests ...(展开全部)

现代主义，一言以蔽之，就是以规矩的特有方式反对规矩本身。 中文版2009年将由广西师范大学出版社出版。

现代主义，一言以蔽之，就是以规矩的特有方式反对规矩本身。 中文版2009年将由广西师范大学出版社出版。

In this collection of essays, five previously published and three new in this volume, a western historian of Chinese art examines the received ideas of art history from the vantage point of another culture. On the premise that what we feel a need to explain and how we explain it alike depend on what we assume to be normal, the essays all adopt a comparative approach. Whatever b...(展开全部)

In this collection of essays, five previously published and three new in this volume, a western historian of Chinese art examines the received ideas of art history from the vantage point of another culture. On the premise that what we feel a need to explain and how we explain it alike depend on what we assume to be normal, the essays all adopt a comparative approach. Whatever b...(展开全部)

A vivid portrait of two remarkable twentieth-century thinkers and their landmark collaboration on the use and abuse of caricature and propaganda in the modern world. In 1934, Viennese art historian and psychoanalyst Ernst Kris invited his mentee E. H. Gombrich to collaborate on a project that had implications for psychology and neuroscience, and foreshadowed their contributions...(展开全部)

A vivid portrait of two remarkable twentieth-century thinkers and their landmark collaboration on the use and abuse of caricature and propaganda in the modern world. In 1934, Viennese art historian and psychoanalyst Ernst Kris invited his mentee E. H. Gombrich to collaborate on a project that had implications for psychology and neuroscience, and foreshadowed their contributions...(展开全部)

When we view a work of art, we often experience an emotional response, but the causes of our reactions are complex. Our knowledge of why we respond to art as we do is rooted in science—in psychology and biology. Eric R. Kandel traces the origins of this understanding to early twentieth-century Vienna, which gave rise to the concept of the “beholder’s share,” the realization tha...(展开全部)

The spirit of adventure is at the heart of Jonathan Spence's widely acclaimed scholarship on the modern history of China. This vitality, fleshed out with deep research and attired in elegant style, has drawn countless readers to subjects otherwise approachable only by experts. Through eight books, from the story of the early eighteenth century Manchu bondservant Ts'ao Yin to hi...(展开全部)

The spirit of adventure is at the heart of Jonathan Spence's widely acclaimed scholarship on the modern history of China. This vitality, fleshed out with deep research and attired in elegant style, has drawn countless readers to subjects otherwise approachable only by experts. Through eight books, from the story of the early eighteenth century Manchu bondservant Ts'ao Yin to hi...(展开全部)